When Robin, Lord Locksley, arrives home from four years on Crusade, his family is astonished. His fiancée has become engaged to someone else, his mother has re-married a sheriff, and his estates have become entrusted to his young nephew, who has become the ward of the Viponts, one of the most dangerous families in Nottingham. They believed he was dead. Alive, he has to fight to regain what should be his by right. In doing so, he realizes that the Vipont family has been mistreating many of the lowborn families he grew up with; taxes are extremely high and the Viponts are closely allied to the Count of Mortmain, or John, King Richard I’s younger brother, who rules the country while his elder sibling is imprisoned in Germany. Justice is subverted and new laws are created to benefit the lords, not those who suffer under their leadership. Robin is convinced that something needs to be done, and as a lord without any of the benefits of lordship, perhaps he’s the one to do it.
The Arrow of Sherwood is written by a trained historian and it really shows in the best possible ways in this book. There are details which make it clear that this isn’t a tale of modern people in fancy old dresses or a gritty hack-and-slash which shows that the Middle Ages must have been brutal; instead, it’s somewhere in the middle, with scenes at court and scenes of battle and thievery. Johnson recaptures what sort of person Robin Hood might have actually been and the book’s realism, in my eyes, is a huge selling point and definitely set it apart. It’s also a bonus that this isn’t a book about the Tudors or the Plantagenets; it’s a realistic re-imagining of a legend and for that I couldn’t help but appreciate it hugely.
The book is well-written and takes us through Robin’s journey, which is fraught with twists and turns as he struggles with the almost insurmountable authority of the Vipont family. The book gives a really good idea of how much local families were stuck with each other; there are only so many people who have authority within a given region and if one person is higher up, that’s it for everyone else. Justice was a red hot iron pushed into your hand; if it was infected, you were guilty, and if it wasn’t, you were innocent.
The only issue I had with it was actually understanding the feasibility of the set-up behind Robin’s rescued prisoners. Towards the middle of the book we essentially have an entire “hundred” of people in a forest, masked as a leper colony, but one that no one ever finds except a couple of peasants and Marian and Elaine. In addition, Robin is juggling double identities and really doesn’t seem to lie very well. I had a difficult time believing he’d be able to keep the secrets with which he is entrusted and I didn’t understand why none of the Viponts ever think to follow Robin on his travels like some of the more minor characters do. The set-up seemed too convenient, although perhaps this is again just my modern brain not actually understanding the scale of a forest.
Definitely recommended for those who enjoy fiction set in the Middle Ages and, even though Robin Hood is a well-known legend, for something a bit different than the masses out there.
All external book links are affiliate links. I received this book for free for review.
Young Tamsin Lodge, heiress, is sent from the arms of her loving stepmother into the tumultuous world of the Tudor court as a teenager. She quickly realizes that her best option to progress in life is not to mourn for what she’s lost, but to seize the opportunity to gain the influence of powerful people. Her guardian places her as a lady of honor to Princess Mary, who Tamsin grows to love, but as the dynamics of power at court shift, Tamsin has to choose her loyalties carefully and decide what’s best for herself, her family, and her kingdom.
The King’s Damsel is a book that should appeal immensely to fans of historical fiction. It’s a richly written, intriguing story of a fictional girl trying to make her way best through a very hostile Tudor court. She’s hampered by her own ignorance, due to her upbringing, but she’s earnest and she tries hard to make a difference. She encounters a huge number of genuine historical figures and indeed has some basis in historical fact. Unfortunately, it was not a book that I personally enjoyed very much, due to three reasons.
The first, which is most certainly not the book’s fault, is that I still haven’t recovered any sort of desire to read fiction about the Tudor court. I overdid this years ago and it seems the desire to actually read these books has not come back. There are a few works of historical fiction which have risen above this, but I didn’t find this to be one of them.
The second is the fact that the back cover gives away practically all of the story, which I’ve actually omitted from my own summary above. I really dislike when this happens; a crucial plot point in the last third of the book really shouldn’t be on the back cover. I’m guessing someone, somewhere thought the book wouldn’t be as appealing to potential readers without this detail, but I spent most of the first 2/3 of the book waiting for that to happen.
The third reason is that I didn’t really get on board with the romance, which seemed too cursory and unrealistic given the actual status of the people involved. I wasn’t really convinced by it, and it didn’t help much that the book skipped years with mostly not much happening. I understand that maybe much didn’t happen, but it didn’t help power the book along at all, and it was a little hard to imagine how a romance happened if the key figures only saw each other once a year. A year is a long time.
The book is only 300 or so pages long and took me 5 days to read, which for me kind of demonstrates how disinterested I was in it. A lot of that probably isn’t the book’s fault – looking elsewhere, it’s had pretty good reviews. It is likely that this book, and this series, might suit someone who is still keen on Tudor historical fiction. But that someone isn’t me.
I received this book for free for review.
King Edward III of England is a pretty fascinating guy – especially if, like me, you have a deep and abiding interest in the Middle Ages. This surprisingly successful king, although that’s quite a simplified interpretation, managed to overthrow the rule of his mother and her lover as a teenager, laid claim to France, which started the Hundred Years’ War, and founded the Company of the Garter, a chivalric order which still survives unlike so many of its contemporaries. He was also the father of Edward the Black Prince (a name which is too awesome not to use, even though he was not called this during his lifetime), one of the most intriguing historical figures in England for me. In this work of history, Richard Barber not only looks at Edward and his reign, but those who surrounded him, inspired him, and succeeded him.
Of course, I loved it. I’d been looking forward to this book ever since I heard about it, particularly because I was already familiar with the historian who wrote it. It was right on par with my expectations. I appreciated so much the approach that Barber took – this isn’t a biography of Edward. It’s a complete view of everything happening around Edward, putting him firmly in the context of the period. This, for me, far more than historical fiction these days, gives me a feel for the period. It’s about the battles and tournaments, the personalities that filled the court, the literature that these people read and which inspired and taught them about their world. It’s really difficult to separate Edward III and Philippa of Hainault, his queen, from the obsession that the Victorians had with the Middle Ages, but Barber does his best and pulls out as much history away from that as he can manage.
Among this is the surprising discovery of how little we actually know about the founding of the Order of the Garter, or its history in the early days. Chivalric orders sprang up in this period in a number of countries, and Barber looks at each of these and tries to find out where Edward got the idea from, who might have been in that order, and why – ultimately, drawing the conclusion that it sprang in some form from the battle of Crecy, which we learn about in as much detail as we can manage. Barber goes so far as to research the layout of the battle and the tactics that might have been used by the English to gain the spectacular victories that they did, which was really fascinating and something I hadn’t read about before. There are a lot of primary sources here and Barber doesn’t hesitate to quote directly, with often large portions of pages taken up with excerpts giving us a huge amount of insight.
In addition, the book isn’t particularly dry, although as with every bit of history I’m obsessed with, your opinion on this may vary. I’d think it would be perfectly readable and enjoyable for someone who might be looking to move on from historical fiction to something based more on primary sources and fact. I loved it, and if you are interested in tournaments, battles, and the high middle ages, this book is definitely for you.
I really enjoyed 22 Britannia Road, so I was particularly pleased when Spilt Milk arrived on my doorstep. In this historical novel, sisters Rose, Vivian, and Nellie vow to be spinsters forever. Rose has raised the much younger Vivian and Nellie since the death of their parents when both girls were small. When she passes away in 1913, much too early, the girls are lost without her, with no notion of how to care for themselves. As a result, one of them manages to make a mistake that drives a wedge in their relationship forever, even after they’ve seemingly reconciled. Years later, Nellie’s daughter Birdie returns to her mother’s town, looking for elements of her own past. Will she uncover the secrets that Nellie and Vivian left behind and expose the potentially disastrous mistakes of their youth?
Ignorance never does anyone any favours, and the sisters in Spilt Milk, along with their sole offspring, suffer from this very lapse. Because no one ever really tells them about what’s in the world, and their education is limited, with all of the girls instead mistakenly assuming they’ll remain spinsters all their lives, they aren’t sure how to handle themselves when things don’t go to plan. And so they make mistakes – and they’re not the first women to do so. In the early twentieth century, innocence seems to go hand-in-hand with ignorance. Rose makes the mistake of never telling Vivian and Nellie about men, instead trying to get them both to stay with her. When a man shows up, of course, they both act in a way that may have been prevented, if only they’d known.
The entire book spools out from the consequences of that ignorance and misunderstanding. It’s no surprise that, when Nellie then goes out into the world, what she learns helps her make a more successful life for herself, avoiding her sister’s mistakes and any particularly damaging ones of her own. As time goes on, the specter of the secret diminishes, because standards are quickly changing, through both World Wars as the sisters age. What was once a disaster becomes something just slightly scandalous and by the end of the book no big deal.
I quite liked this book; it put an interesting perspective on the relationships between sisters, mothers, and daughters. The complex relationships between Vivian and Nellie, then Nellie and Birdie, are often truly moving. I wasn’t sure what I wanted each of the women to discover, but I knew I wanted to experience it through the eyes of each of the women. Practical but still loving Nellie was my favorite of them, I think – she is the one who goes out into the world, and she is the one who has the bravery eventually to seize more of her life, rather than letting it happen to her. But my heart broke for all of the women at various times as they change and grow and the results of their choices impact every aspect of their lives.
Spilt Milk would be a great read for a fan of women’s fiction who is tempted to try out something historical. Highly recommended.
All external book links are affiliate links. I received this book for free for review.
Continuing with my new determination to write at least a little bit about all the books I’ve been reading …
Deadshifted, Cassie Alexander
This is the fourth book in the Edie Spence series. I’ve not reviewed any of these books previously on the blog, but this is a series I’ve been enjoying. Edie is a smart nurse who was thrust into the world of paranormal healthcare to save her brother. By this fourth book, she’s met her current boyfriend after a particular failure and she’s left the hospital where the first couple of books take place. She’s on vacation – a well-deserved cruise with Asher, her boyfriend. But things are never really simple for Edie, and they run into someone that Asher used to know in his previous life as an active, not-quite-conscientious shapeshifter. Although I’ve missed the familiar setting of the hospital, this book really threw Edie in the deep end (literally). She’s had to deal with so much and, although the summary of the already-pre-ordered fifth book spoiled the ending somewhat, I was still shocked. Definitely continuing with these.
We Need New Names, NoViolet Bulawayo
I wanted to do a full review of this one, but given how seldom I actually get myself to write full reviews, I thought it was better to get my thoughts down as soon as I could. This book was amazing – it forced me to think about so many issues outside my normal day-to-day existence and reminded me forcefully that there is a reason I want to expand my reading horizons. Darling grows up in Robert Mugabe-era Zimbabwe, now desperately poor and starving in a shantytown called Paradise, though previously her family was moderately prosperous. Though her life in Zimbabwe is a challenging one, to say the least, and she and her friends dream of escape, when she actually does manage to leave her home country she has to confront a huge range of new experiences. One of the most striking parts for me was when Darling can’t understand why her employer’s daughter is depressed and has anorexia. She – as someone who has spent much of her childhood starving – simply can’t understand why a pretty, thin white girl would actively starve herself. Their worlds are too different. And some of the passages about leaving home and trying to decide who you are without your home were unbelievably striking. So worth reading.
Orange is the New Black, Piper Kerman
When Piper graduates from college, she still hasn’t decided what she wants to do with her life. And she craves adventure. So, as she describes in this memoir, she gets involved with the older Nora, a sophisticated woman who clearly has a large amount of cash to throw around, and finds herself involved with the drug trade. She wises up after a short period of time and runs back into the arms of her family, landing a good job, a loving boyfriend, and a life she thinks is secure. But it isn’t, and ten years after her crime, Piper finds herself in Danbury, a women’s prison.
Her journey through the prison system was fascinating reading, although I suspect it was easier for her than the other women in a number of ways. She freely acknowledges that her shorter tenure and her frequent visitors were huge factors in helping her cope, but that doesn’t change the essential fact of prison. By far the most shocking part was towards the end, when Piper enters the program meant to prepare inmates for the real world again. Instead of useful advice, like how to rent an apartment or find a job with a criminal offense against your name, the inmates are advised on topics like what to wear; they weren’t even advised on how to use the internet when some of them had never encountered it or a computer in their lives. It’s fairly obvious why some of them simply fall back into the drug trade, which is disastrous. I learned a lot I didn’t know and am glad I read this – I’ve never seen the TV show, so can’t comment on how it compares there.
The Iron Witch, Karen Mahoney
This book demonstrated, quite vividly, that some YA just isn’t for me. In this particular book, Donna is a teenager who was scarred during her youth in an attack which also cost her her parents. Her father was killed defending her and her mother has been mentally unstable ever since, sometimes unable to recognize Donna. She’s raised by her aunt, but has spent her entire life being considered a freak due to the iron scars that twine their way up her arms. Now the wood elves who ruined her life so thoroughly when she was a child have returned, and only she, her best friend Navin, and the mysterious half-fey Xan have a shot at saving themselves.
My attitude towards this book was decidedly “meh”. It’s even complete with a love triangle. I actually kept expecting Xan – the mysteriously sexy object of Donna’s insta-love, as opposed to her nice guy best friend – to turn out to be evil, simply because it all seemed ridiculous to me, but instead all the gooey eyes and instant connection were actually sincere. I was disappointed, similar to how I felt about Daughter of Smoke & Bone. Won’t be reading the rest of the books.
I purchased all of these books.
On a cold winter day in 1910, Ursula is born. Again. And again. And again. Every time Ursula dies, she is born again, and given the chance to live her life anew. But Ursula has no way of knowing this, only a vague recollection of events that have previously happened and a dread of what she did or didn’t do in previous lives. As she lives her life over and over, experiencing the lead-up to World War II and a whole range of different outcomes to her life, we start to wonder: can Ursula change history?
I really enjoyed this book. I am a huge fan of so-called “quiet” books and though some of the events in this one are more explosive, this is at its heart a book about chances. The smallest actions of Ursula’s change the entire trajectory of her life. As we go back to that February day in 1910, we start to see the entire picture of what was happening that day, for instance; while some readers might get bored by the fact that we go through that day each and every time Ursula dies, I loved how it let Kate Atkinson build up the entire scene, through all the supporting characters, and finally leave us with something still to think about at the end of the book.
It also has the advantage of being set in a fascinating period of British history, spanning both World Wars over the course of its length. While it’s tethered to the world we know, the reincarnation aspect allows Atkinson to explore what might have happened if – and this is at the heart of the book. What happens when Ursula stands up for herself is completely different to what happens when Ursula is simply unable to do that. One of the most heartbreaking episodes in the book, when Ursula’s life turns out to be devastating, is through something that is not her fault in the slightest but completely destroys her self-worth and confidence. And, of course, she blames herself, and the guilt and blame imposed by that sole event change the course of her life. It’s also one of the most problematic, because she manages to subvert and avoid that very event next time, but as ordinary women without her sense of foreboding, we can’t hope for the same.
I also loved the World War II sections; I think many readers will agree that there’s just something about the London blitz which, horrifying as it was, is almost guaranteed fascinating reading. In Ursula’s situation there are simply so many different outcomes and the book’s structure allows Atkinson to explore each and every one. Regardless if Ursula dies or Ursula lives, anything could happen to anyone she loves. It’s not a wonderful situation, but it made for wonderful reading, and Atkinson pulls off the reincarnation trick over and over.
When I purchased this book, I read it almost immediately; I’d heard a lot of hype and I simply wanted to read it for myself. After doing so, I’m pleased that it lived up to all of that and more. I’d happily recommend – and will be recommending – this book, and I’ll certainly be going straight for the rest of the Kate Atkinson on my TBR pile.
So far I’ve managed to read 6 books in 2014, greatly aided by the fact that I was off work until the 6th (how I wish I could have another break just like that one now …). I really want to at least record a few thoughts for what I’m reading this year and draw a line under most of last year’s reads, except for a couple of review books, so here goes.
Ironskin, Tina Connolly
This is a fantastical re-telling of Jane Eyre, one of my favourite books, and while I wanted to read it, I put it off for a little while because I wasn’t sure how I’d feel about the fact that it is blatantly the same story. I’ve avoided a lot of joke re-tellings and sequels to classics because I love the originals too much to want those worlds changed. But this – this is a serious effort at creating something that pays homage to a classic but doesn’t take away from the original. I needn’t have worried. Connolly’s story can stand on its own two feet. While it’s clear that the basic story is the same, and many of the characters’ personalities match, Connolly’s magic usage, and the very real symbolism of the iron skin / iron mask Jane wears, adds something else to the story. I really liked the fantasy element and the way that the iron’s usage develops and I’m intrigued particularly to see where Connolly goes next in the sequel, now that she no longer has Charlotte Bronte’s brilliance to guide her.
Demon Angel, Meljean Brook
As I mentioned in my Long-Awaited Reads post, I’ve had this book for ages and had no real reason for *not* reading it. I didn’t love the only other book I read by Meljean Brook, so I think I was worried I wouldn’t like it. I’m pleased to say that I finally did get to it and I even liked it. A lot.
I wasn’t really that enthused by it at the beginning. The book takes us throughout centuries of history, in which the two characters get to know each other and we learn more about the background of the world, but once the story got to modern-day California everything changed. We moved into the permanent part of the story rather than the bit that felt like background. I think the book definitely suffers from first-book-in-a-series syndrome; there is almost too much world-building and not enough characters at the start. By the time the story kicks off, though, I began to actually feel for these two characters and the way they felt about each other. It’s longer than a typical paranormal romance (or any romance for that matter) but after that slightly rough start, I never felt like it was too long. Instead I felt anxious for Hugh and Lilith because I so badly wanted them to be together but wasn’t quite sure how it would happen.
I am definitely going to continue with this series.
Clean Sweep, Ilona Andrews
I think I’m destined to love literally everything by this husband-wife writing team. This little novel was no exception at all. I didn’t read Clean Sweep in free installments, as it was initially promoted on the website. I decided to wait until it was all available as an ebook, because I’m essentially impatient and didn’t mind paying the small amount for the privilege of reading convenience. I was immediately drawn to Dina the Innkeeper’s story and the bizarre way that Andrews set up the world. It’s short, so it’s easy to read quickly, and it’s a great example of the writing style these two produce. They’re also fantastic at building relationships between characters – and characterization in general I suppose – even within the confines of a short novel. Highly recommended, as usual, and I’m looking forward to further installments.
The Countess Conspiracy, Courtney Milan
Courtney Milan knows how to pull *all* the heartstrings. In this, her latest novel in the Brothers Sinister series, Violet, Countess of Cambury, is a female scientist in a nineteenth-century England without female scientists. But, rather than keep her work quiet, she enlists her long-time best friend Sebastian Malheur as scientist. He becomes her public face. But after years of living a lie, he can’t take it any more – and slowly, gradually, neither can she.
I love romances where the main characters have known each other for ages. I don’t know why, they just work really well for me. This worked really well, too. I don’t think I loved it as hard as I loved some of her earlier romances, maybe because it’s not as different as the others, but I got really wrapped up in this story and I adored Sebastian and Violet. The main characters from the other books in the series appear, too, a little bonus for those of us who have read them all. Courtney Milan will continue to be an auto-buy author for me.
I’ve read a couple of other books this year - Life after Life by Kate Atkinson and Edward III and the Triumph of England by Richard Barber – but I’d like to try and actually give them full reviews. We’ll see how that goes!
Has your 2014 started well on the reading front?
Guy Gavriel Kay has been one of my very favorite fantasy authors for years. When I first started reading his books, they seemed to fly under the radar for most other fantasy fans, and a new book by him was always a treasure. They’re never very heavy on the fantasy, but usually have a huge amount of historical influence with just a touch of mysticism. I really love this mix, because the historical backgrounds are immensely appealing to me while Kay’s ventures into fantasy allow him to create stories that resonate and have meaning. Though River of Stars is one such book, it won’t sit amongst my favorites of his works.
Set hundreds of years after Under Heaven, River of Stars is based loosely on the period of wars that separated the Northern Song dynasty from the Southern (thank you Wikipedia as this period was completely new to me). We follow two main characters through the outcome of the wars; Lin Shan, a female poet who stands out against her contemporaries, and Ren Daiyan, a general who rises to greatness.
This book is truly a book about myth-making and how ordinary people who commit a few great deeds, or who aren’t afraid to stand up for what they think is best, pass into legend. There is a story, of course, and it’s a good one, but Kay’s writing is incredibly introspective and he spends a considerable amount of time examining what’s happened to events in their retelling. This is so extensive that the ending of the book itself isn’t concrete, letting readers make what they choose of the myths (or not). The downside of this is that he frequently foreshadows, blatantly, what’s going to happen next – the text is so self-referential that there isn’t space for surprises or suspense.
Kay’s writing is always beautiful but in this far more than any of his other books I noticed how very slow it is. Characters spend small eternities thinking and considering what has happened to them and what they might choose to do next – how their seemingly small decisions can have major impacts. It takes a very long time for the two protagonists to meet, even longer for what seems inevitable to actually occur. It’s been a long while since I read The Lions of al-Rassan or Tigana but I definitely don’t remember feeling bogged down in the same way. Every word is well-placed, but I never felt called back to this book.
Would I still recommend River of Stars? Probably. It’s a beautifully written book, very evocative of this period in China despite its slight separation as a fantasy, and very thoughtful. It’s just worth preparing for it to be a slower read.
All external book links are affiliate links. I received this book for free for review.
Gina Attaviano is a fourteen-year-old Italian immigrant girl living her father’s dream when she and her mother and brother arrive in Boston. Their father Alessandro has passed away, but the rest of the family arrive to stay with a cousin and aunt in Lawrence, Massachusetts. They arrive in Boston Harbor and meet two surprisingly helpful locals, Ben Shaw and Harry Barrington, who lend them an apartment for the night. Both are from prominent families, but that doesn’t stop them getting involved with the Attaviano family; Ben immediately becomes infatuated with fourteen-year-old Gina, while Gina herself develops a massive crush on Harry, who remains aloof. Over the course of the novel, determined Gina decides to find a way to fit herself in Boston society, having discovered what she truly longs to have.
I’ve never read any of Paullina Simons’s books before and I have a feeling that I chose the wrong place to start. I was deeply underwhelmed by this book, having heard many good things about the author’s Bronze Horseman trilogy, and I’m now not sure I’m curious enough about what happens next to actually delve into that trilogy. I read this first as I got it for review and a prequel is generally not a bad place to start reading a series, but I think I should have started with Simons’s other books.
Let me explain why. First of all, the characters were simply not people I wanted to spend time with. Gina decides to go off and do her own thing, lying to everyone who loves her, from the minute she steps foot on American soil. She refuses to listen to any sort of logic and, in short, behaves like a reckless teenager. That’s fine – that’s what she is for most of the book anyway. But she also turns out to be a character who is impossibly perfect; she excels at school when she decides she should, she earns all sorts of mysterious extra money with her cleverness and makes herself beautiful clothes, she begs a loan to start her family’s restaurants, and every man who sees her falls at her feet, except of course Harry (until he finally does). She even somehow speaks perfect English, even though she admits in the beginning of the book that she hadn’t paid as much attention to her father’s lessons as she should have.
Harry, on the other hand, is an adult, but seems like he could have happily remained a child or student forever. He ignores all sense of responsibility and lets his life happen to him, rather than doing anything at all to influence it himself. He’s content enough, it seems, to be in a relationship with a well-bred girl he doesn’t love, to flounder about wondering what he’s supposed to be doing while continuing to study (and getting nowhere doing it), and living off his father’s money well into his twenties. Ben, his best friend, was far more interesting because he actually had a spine and went off and did things himself. When Harry finally makes a decision about his life, he hides it from everyone and creates a disaster. Twice.
Second, the book has little plot. Gina decides she’s in love with Harry and the rest of the book is spent on various conversations, political talks and meetings, and her often fruitless efforts to entice him. I felt zero spark between them, even when Harry finally wakes up and realizes that a gorgeous Italian woman has him firmly on a leash. The romance part of the book felt dreamlike and I had no real sense of why these two people had chosen to be together. It’s one of those attraction-and-nothing-else storylines which get on my nerves.
Lastly, much of the book is spent on little happening but talking. I’m normally fine with this and tend to even enjoy “quiet” books, generally because they have some sort of meaning. But here? Gina’s entire existence is focused around Harry; everything she’s done, everything she’s learned, has simply been to attract a man. So her ideals seem faked, while Harry hides from his life and ignores responsibility, spouting nonsense about what he believes in and failing to act on any of it. I just got fed up with them and with the book – after writing this review I’m actually surprised that I finished it.
The Bronze Horseman might be worth reading, but I’m not sure Children of Liberty is. If you’re interested, I’d recommend visiting your library first. That’s where I’ll be getting the rest of the trilogy from, if I decide to continue.
I received this book for free for review.
I originally bought Huntress for A More Diverse Universe before I decided not to blog in November. I also didn’t manage to read it in November. But I loved Ash and I still wanted to support the initiative, even a full month late, so I recently picked it up and found myself devouring it in just a couple of days.
Set centuries before Ash but in the same world, two girls and a prince are tasked with making a journey to the Fairy Queen, across deadly lands with no maps, to find out why the kingdom exists in a permanent state of gray. The girls are students: Kaede, the Chancellor’s daughter who rejects her life as a proper lady, political marriage and all, and Taisin, a gifted future sage whose dreams are true visions. With them go the heir to the kingdom and three guards to the first summons to the Fay in a generation.
This book opens with a vision; Taisin sees an element of the future, but she doesn’t understand it or how she will get there. As the book unfolds, the mystery of that vision unwinds, and it’s only towards the end of the book that she, and we, understand exactly what she saw and how she needs to use it to ensure that she and those she love survive.
In Huntress, women (and girls) take on all the primary roles; Kaede and Taisin are the main characters, who go to visit a Fairy Queen, while their enemy similarly turns out to be a woman. As in Ash, the love story is between women, in a world where all love is freely accepted (although it seems political marriages still need to be between men and women in order to produce children). The change is perspective is not radical, it’s just enough to subvert expectations slightly and produces a much richer book for it.
The core of the story is an adventure into unknown lands, where mysterious perils await and some of the small band may not survive. As with all such stories, this makes it easier for us to get involved in the world as we discover new elements of the universe right along with the characters. And two diverse main characters make it easier; Taisin is destined to be a nun, or so she thinks, and acts accordingly, while Kaede wants nothing more than to live an unconventional life. Yet these two very different girls bond truly, through shared experiences and deep emotion, and their journey is one that is worth following and loving.
A quick and engaging read, Huntress is definitely recommended for other fantasy readers.
I purchased this book. All external book links are affiliate links.