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 I mentioned a couple of weeks ago that Consuelo Vanderbilt Balsan was my hypothetical first historical fiction subject, and before I went anywhere I thought I’d best read what she herself wrote about her life. After all, there are only gaps to fill if the actual woman herself didn’t write about every last detail, and the best source for someone’s life is themselves. Luckily, I found lots of gaps to fill, but I also was pleased to discover that Consuelo is as fascinating as I’d hoped.
Married off at just eighteen to the duke of Marlborough, Consuelo left everything she knew behind to join the British aristocracy – her American money funding the upkeep of Blenheim Palace and the lifestyle of the wealthy. In exchange, however, Consuelo was desperately unhappy, as her mother had forced her to leave behind the man she loved in order to make her daughter a duchess. A fascinating account of turn-of-the-century life, Consuelo’s struggle to find the happiness she deserved is inspiring and well-worth reading.
While there are certainly emotional gaps here – the author shares very very little about either of her marriages, surely topics she didn’t really want to share, nor does she discuss her children – this is a full picture of a life. Consuelo makes reference to the many famous people she met and hosted, some which are recognizable and others which are not, and gives us a really full account of life that people of her social class lived at the time. The first part of the book, when she is forced to leave New York even though she has an agreement with a certain Mr. X, is by far the most moving and interesting – afterwards she gets swept up in a social swirl and there is much less drama mentioned. I suspect she didn’t want to dwell on an unhappy marriage, so instead moves smoothly past to a world in which she has more control, even if it’s a bit less interesting.
One of my favorite aspects of this book, as with many others set around this time, is the fact that it’s set in an essentially dying world. After World War I, English aristocracy starts to crumble apart, and World War II changed Europe forever. Consuelo lived through both of these and it’s just fascinating to read about the divide in time. Cultures are eternally in flux, but those moments which we can later pick out as defining – a before and an after – are always those which make for the best reading. That is certainly the case here; the book ends just at the start of World War II, so we’re witnessing many changes.
As I expected, Consuelo Vanderbilt Balsan was a fascinating woman, and her story – so aptly titled The Glitter and the Gold – is one which should certainly be read more widely. Highly recommended.
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 Sugar is ubiquitous in Western cooking these days, but this wasn’t always the case. Abbott explores the history of sugar with us, from its earliest discoveries and uses to the exploitation of slaves in its cultivation down to the current explosion of sweetened drinks and fast foods. Enlivened with a number of pictures and copious sources, Abbott takes us through a journey that definitely is bittersweet, and which continues to be exploitative in countries around the world today.
I’m always fascinated by these histories that take one subject and use them to explore bits of everything else. In Sugar: A Bittersweet History, the main focus was definitely on one thing; slavery. Most of the middle of the book was taken up by the horrors of sugar slavery in many different parts of the world. Like the American slavery I’m more familiar with, even after slavery was abolished, people were still treated virtually as badly with rights in theory only for years afterwards, and unfortunately this sad trend actually continues. I’m glad the sugar I’m buying is fair trade, but it does make you think about the origin of the sugar in other products.
I read this book over a period of two or so months, because I read it on my phone whenever I didn’t have any other reading material available. It was surprisingly readable in this format, mainly because it’s broken up well into different sections. The time periods are organized well, and even the very long section about slavery is compartmentalized into different places in the world. This was actually also very interesting, because Abbott goes around the world exploring the fate of these people and also the determination of those who eventually freed them. The British campaign to end sugar slavery played a particularly large part in the book.
The book ends with an exploration of our current sweetener culture and the origins of fast food around the World’s Fair. I found this history of various sweets around the world to be absolutely fascinating, and the most readable part of the book, if not perhaps the most important. Now, of course, with an obesity problem in the US and the UK in particular, the blame has come down on sugar and various other sweeteners, which may change sugar’s future significantly.
One part that stood out to me in this latter section was the association of women and sugar – how sweet things were often marketed at women who were the “weaker” sex and not particularly able to avoid temptation, even though both sexes (obviously) enjoy sugar. This is actually a salient point that still stands, as I feel like quite a bit of sweet marketing is still targeted at women. I’m not sure I like that now that it’s been pointed out to me, and it’s something I’ll be paying attention to in future, in addition to ensuring I only buy and use fair trade sugar.
Recommended for anyone interested in sugar slavery or the history of sugar.
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 The world has not been kind to Ash Turner, but he has resolutely made the most of it. Born to a mother intent on giving away her family’s last morsels of food, dyslexic in a world which doesn’t understand his condition, and fiercely protective of two brothers he struggles to understand, Ash’s moment of triumph, after years of hard-working success, has finally arrived when he gets in line to inherit the dukedom from the distant relative who would not help him and his brothers in their time of need.
But he hadn’t accounted for Margaret, the daughter of that duke, who is not only watching her father die but herself and her brothers being disinherited. She’s determined to hate Ash, and pretends to be a nurse so she can spy on him for her brothers. As time goes on, though, she realizes that she can’t hate him; he cherishes his family in ways she’s never known, and treats her like a somebody even though she’s now a bastard and dressed as a servant. Torn between loyalty to her family and a growing love for Ash, Margaret has to weigh her values carefully to avoid making what could be the biggest mistake of her life.
I knew I had to read more by Courtney Milan as soon as I’d finished Unlocked earlier this year, and I am so thankful she hasn’t let me down with this book. As with most romances, this story is really about the characters, and I loved them both, especially Ash. It’s hard not to fall for someone who is genuinely charming to all levels of society; he knows what it’s like to be poor as well as he knows what it’s like to be rich, and he’s not going to put down the people he knew and loved from either phase of his life.
Margaret is his target almost as soon as he sees her; he really has no idea who she is. She has, obviously, her own problems to face, not only her growing attraction and feelings for Ash, but her loyalty to her father. As the book progresses and she tends to him, she starts to realize that he may not care much for her at all. And when she thinks about her brothers, and compares her family life to that of Ash’s, who loves his brothers and isn’t afraid to show it, she finally starts to wonder about what’s been lacking and just how she can fix it. More, she sees what Ash is doing for the dukedom – for her mother’s home – and her opinion gradually starts to shift. (It’s a romance, we all know the ending).
In short, Unveiled is a really lovely book that will grab you by the heartstrings and force you to keep reading. And the book certainly left me keen to read Mark’s story in Unclaimed, the next book in the series – who doesn’t love the prospect of a hero who writes a book about chastity?
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 This history of cholera focuses on one of the last, and most lethally quick, epidemics to strike London. It was one of the last because this time, two diligent men found what they believed to be the cause, and circumstances started to change. The first man, Dr. John Snow, was already a pre-eminent anaesthesiologist who even put Queen Victoria to sleep. The second was a well-meaning clergyman, Henry Whitehead, who was acquainted with many of the victims that got their water from the offending Broadstreet Pump. Johnson takes us through the history of the epidemic and describes precisely how these two men solved the cholera mystery and began a chain of reaction that would have an impact on public health in cities worldwide.
Cholera isn’t a problem that has gone away for us in the modern day world. It’s a disease we keep at bay with a supply of clean water. But before people realized it was caused by dirty water, they believed various theories, including that the poor brought it upon themselves, or that it was caused by noxious air. It’s remarkable to read how tenaciously people who were very highly placed in society clung to these theories, even as evidence started to prove them wrong. They did close off the Broadstreet Pump which caused the cholera, eventually, but they didn’t really believe it was the cause. Not until the “ghost map” was created – a map which outlined precisely who had died from the illness and where they lived – did the connection finally become established between the pump and the outbreak.
In history terms, this is a very compelling book; the end is full of notes and I certainly was keen to learn more after reading. Unfortunately, close to the end, the author starts to go off on some mysterious tangents that become less related to the actual history of the outbreak. He goes on about the new threats to cities, including things like terrorism, and even the advantages and whether they outweigh the risks. It all felt a bit unrelated. It was as though he was trying to connect the history with the modern day, but he didn’t particularly succeed for most of it; the only interesting bit out of this was when he discussed the threats of cholera now, rather than the various other aspects of city life. After all, while cholera did happen because of the cramped conditions in cities, I felt like the rest of the book was more about the illness and general sanitary conditions and less about the city.
Anyway, I still found The Ghost Map to be a very good, and quick, read, a thoughtful look into the sanitary conditions of Victorian London and an illness which still has an effect on many parts of the world today.
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 Three generations of women, none of whom ever really managed to get along, collide at one Maine “cottage”. The matriarch of the family, Alice, is disappointed by the way her progeny have turned out, especially Karen, her oldest daughter. Karen and Alice have never really connected, to the point of Alice becoming jealous of her late husband’s affection for his daughter. Now Karen’s daughter Maggie goes to the cottage to escape a disastrous relationship and her own personal issues, including the fact that she seldom sees her mother. The last of our narrators is Ann Marie, who married into the family, and finds herself trapped in the life of a housewife while struggling to maintain her perfect image.
What I appreciated most about this book was the perspective each woman had about the others. As in real life, we never know all the details of someone else’s life, not even those who are closest to us. So each woman judges the others and we can see why they’re right, why they’re wrong, or what they’ve missed. For example, Alice and her daughter Karen simply do not get along; what both women generally miss is the fact that they struggle to be close because they are too similar to one another. Is it any surprise that they were both loved so deeply by Alice’s husband Daniel?
I’d also suggest that a large part of the book’s humor comes from this – and it helps to lighten the very important and deep issues that they all face when coming together. It’s difficult to actually like any of the women – particular Alice – simply because we’re seeing them, flaws and all, and I’m not sure I’d actually want to be friends with them. Except perhaps for Maggie, who despite her difficulties is a kind girl who is uncertain about her life. But this is the sort of book where you don’t need to like the characters to actually enjoy the book.
To underscore the similarities between them despite their often acerbic opinions of one another, many of the women struggle, or have struggled, with the same problems. Alcoholism is a big issue and has affected all of the women in ways that they may not have known about until this story is told. Uncertain pregnancies is another – Alice was never sure she wanted to have children, and didn’t know what to do with them. Now Maggie is pregnant, but increasingly worried about her decision. And motherhood – Ann Marie isn’t sure what to do with her daughter, who has just announced that she’s a lesbian, and must return to loving her daughter as a person rather than focusing on this one aspect of her.
As you can obviously tell, this is a very character-driven book. There is a plot going on at the same time, with different strands for each woman, but the ending is somewhat lackluster, so I hesitate to really recommend that as one of the book’s charms. But if you’re interested in a character study, with women you’re not sure you like even as you can begin to understand the workings of their various minds, you could hardly go wrong with Maine.
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 This is the fifth book in the series. Rosemary and Rue is the first book.
The sons of the Duchess of Saltmist have been kidnapped, and usual it’s October Daye who is called upon to rescue them. The stakes are very high; if Toby doesn’t find the boys, her country is going to go to war with those under the sea. To make the situation even more complicated, she’s finally gotten together with Connor, a Selkie, and they may be forever separated if she doesn’t succeed in her mission. With her many allies by her side, Toby sets out to find the kidnapper, even when those she holds most dear are threatened.
This particular book is a turning point for Toby – she is not the same woman at the end of the book as she was at the start of it. Several storylines that have been building over the course of the last few books – if not since the start of the series – actually see a resolution, and with devastating effect. Some of the things that happen to her are gut-wrenching, and the world really isn’t going to be the same. She isn’t even the same herself; thanks to the changes which took effect in the last book, Toby is still getting to grips with her own changed identity and magic.
The mythology and backstory of all of the characters continues to grow and change in this book. I loved learning more about the Luidaeg in particular, who finally starts to be revealed in this book, and who is becoming much more than an all-powerful sea witch. We also get bits and pieces about the other characters.
I think my only problem with the book really was that I don’t like Connor very much. The entire time, I was busy rooting for Toby to finally realize that it’s actually Tybalt she loves, which as you can imagine lessened the impact of parts of the book for me. I’ve heard some say this is a Peeta and Gale situation, but I don’t think it is; there just isn’t any chemistry at all between Toby and Connor, and I’ve actually yet to find anyone saying they prefer the latter. Nor does Toby really think about it; she loved Connor when she was young so she must love him now. Since Tybalt is by far the better, more complex character, I just couldn’t get behind those bits of the story.
Regardless of personal preference though, One Salt Sea was a fantastic addition to the universe and one that has really, genuinely changed everything. I’m not sure how I’m going to wait until next year to get the sixth book, but I know I’ll have it preordered as soon as I see it available. In the meantime, I’m going to read Feed, as Mira Grant is actually a pen name for Seanan McGuire, and hope for some more magic there.
All book links to external sites are affiliate links. I bought this book.
 As with the other volumes, this is an omnibus composed of three separate stories – two books and a novella. I won’t avoid spoilers for Young Miles or Cordelia’s Honor, so read those reviews before starting this book!
All of the stories in this particular omnibus deal with genetics and the manipulation of them.
In the first of the two books, Cetaganda, Miles and his cousin Ivan find themselves amongst the Cetagandans when a murder mystery sets off – with him and Ivan at the center of it. Miles was passed a mysterious object and set up so the Cetangandans will think he stole it. He needs to use his famous mind to get the Barrayaran embassy out of trouble, and if he meets a few of the gorgeous Haut class, who ride around in opaque bubbles, along the way then he certainly isn’t going to protest. This particular planet, Tau Ceti, separates genetically the higher class from the public face, the ghem lords, leading to some very interesting politics. While I don’t think this was actually my favorite story of them all, I still enjoyed watching Miles dig himself out of trouble.
Ethan of Athos, the next story, doesn’t feature Miles at all, but it’s set in the same time period. The title character is from Athos, a planet where only men are allowed to live. They create children using a limited number of female ovaries donated in the distant past – the babies are then placed in the uterine receptors, developed on Beta, and selected to be male. As you can imagine, this leads to an absolutely fascinating society of men who simply have never seen women and don’t know what they’re like. When a new batch of ovaries arrived and is found to be contaminated, it is Ethan, who has made his life’s work creating babies, who is sent to Jackson’s Hole to investigate the problem. While there, he meets Elli Quinn (who was introduced in Young Miles), one of the Dendarii Mercenaries, and has his expectations of women flipped upside down as they team up to try and get to the root of the problem.
Even though this particular book didn’t feature Miles, it still manages to give us a wider view of the universe Bujold has established, show Ethan how women are actually independent and different beings just like men (I loved this), and also shows us how Miles is regarded by an outsider like Elli. She has a lot of hero worship for him, especially given he made her life liveable again, but it was nice to revisit the character and see what Ethan gathered of him just from Elli’s recollections. It’s also a bit lighter than the other stories in the series, and Ethan’s behavior towards women before he learns is absolutely comical. I loved seeing his expectations completely subverted by the women he meets.
The last story, “Labyrinth”, finds Miles in a desperate battle to rescue a genetically modified woman from the basement. Because she’s considered a “monster”, she’s about to be killed, but he is persuaded to save her. Miles may not be genetically mutated himself, but he always has a soft spot for people who simply look different. A sweet story, but again not my favorite, and lacking the power of “The Mountains of Mourning”.
Still, even if this wasn’t the best volume, I loved reading every virtual page of it, and I can’t wait to carry on with the series.
All book links to external sites are affiliate links. I downloaded this book from the Baen Free Library.
 Rather than try and review each of these books separately, as I rushed through them so quickly that I can no longer separate them, I thought instead I’d just mainly explain to you why ALL of the books are awesome, and why they’ve become one of my top two favorite urban fantasy series. Then I can review the latest, One Salt Sea, without the other books hanging over my head calling for their reviews.
As I’ve already reviewed Rosemary and Rue, you’ll know that the main character of the series is October “Toby” Daye, a half-breed Daoine Sidhe who has her mother’s blood magic but is greatly weakened due to her mortal father. After a certain age, Toby grew up mostly on the streets, until she became a knight under the service of Sylvester, the Duke of Shadowed Hills. On her first and only failed case, Toby wound up transformed into a fish, while her liege lord’s wife and daughter endured years of suffering. After recovering, Toby decided to avoid the magic world, until she wasn’t given a choice. Ever since she was mostly restored to her role as a knight in the first book, Toby’s returned to the world of magic, got tied up in complicated politics, saved (and failed to save) countless people, and very nearly died. More than once.
 There are so many things to love about these books that I can’t express them all. Even just on the surface, the fact that all of the books are named by a Shakespeare quote appeals to my very literary soul, and shows that McGuire is going a bit further than your standard kickass girl urban fantasy. These books get to you, at least they got to me, and they worm their way under your skin. The magic system is so clever and fleshed out, with new species and kinds of magic revealed in every single book. McGuire pulls from myths, from standard fantasy, and from an imagination that is very clearly her own to create a world that’s one of the best mixes of fantasy and city I’ve ever seen. Toby may live in the city, but many of her magical counterparts live in old-fashioned duchies and counties, their knowes hidden across the landscape.
And then there are the characters and their relationships with one another. Toby loves fiercely, even when it’s complicated, and will protect those she cares about with a vengeance. As the series has moved on, these relationships have developed, whether they are with her ex Connor, who is now married to the daughter of her liege lord, her Fetch May, whose appearance in theory means she will die soon, or the King of the Cait Sithe, Tybalt (my personal favorite).
 Best of all, the books have that “epic” feel which you all know I absolutely adore. Somehow, when Toby is up against the world, the book just consumes me and the struggle feels real, immediate, and breath-taking. These are the kind of books I dash through because I’m so worried about the main characters and I need to know what happens to them. After I read the first book, I bought ALL of the rest because I knew I was going to need them, and then I read them and pre-ordered the latest. These are the books you simply can’t put down, that keep you up at night, that make you ignore anyone who actually tries to speak to you while you’re reading (seriously, how dare they?).
So, in conclusion to this, if you’ve ever enjoyed any sort of fantasy, urban or not, I’d highly recommend this series to you. McGuire just gets better and better with every installment, and I can’t wait to share One Salt Sea with you next week. And also, I must thank Ana of The Book Smugglers for introducing me to this series, as she pressed the first book into my hand and told me I should read it. She was so right!
If you do read these, and you really should, the series order is:
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 This is an omnibus edition containing what I’ve found out are the first two novels in the Vorkosigan saga. Unfortunately, if you’ve read my review of Young Miles, or heard anything about the series, you know that most of it centers around Miles, so you probably know the outcome of this book as much as I did. So I’ll avoid spoilers to some extent, but assume you’ve read my earlier review.
We start out with Shards of Honor. Captain Cordelia Naismith is heading a scientific survey of a new planet when things go very wrong and she winds up a prisoner of the Barrayarans, under their leader Aral Vorkosigan, the “Butcher of Komarr”. Barrayar and Beta, Cordelia’s home world, are complete opposites; the Barrayarans are a military-led society, very firm with rules, while the Betans are more relaxed in almost every way. While struggling to get Cordelia’s wounded comrade to safety, Aral and Cordelia learn that they actually have a lot in common; namely, a sense of honor and a surprisingly strong attraction.
This is Bujold’s first book, and since I’d accidentally read later work first, I could kind of tell. That doesn’t mean I enjoyed it any less, though, because like most women would I immediately fell in love with Cordelia – the best kind of honorable woman who does the best for her country and herself, with a whole lot of brains to back her up. She’s strong, but not so strong as to be stupid; she knows where her heart lies, and she’s the appeal of the book.
But this is really the story of how Cordelia and Aral meet and come to fall in love – it’s obvious that they will do so from the first page – and the conflicts of two similar people from very different cultures coming into contact. I preferred Cordelia to Aral, but both characters were wonderful, and with the adventure mixed up with romance, I found this overall to be a very appealing book that I enjoyed greatly.
The second book, Barrayar, comes after Cordelia and Aral are married, and while Cordelia is pregnant with Miles, who takes center stage for most of the rest of the series. Aral’s political career, not so much a factor in the first book, is taking off, and he finds himself in the dangerous position of being in charge of the infant Emperor. Dangerous for not only him, but also for Cordelia and their unborn child as the enemies of the Regent appear.
For me, the appeal of this second book wasn’t really in the plot, but in Cordelia’s growth as a character. Barrayar is a difficult place for a Betan like her to live. She isn’t used to the rules, to the idea of birthing her baby herself, to the lack of privacy that her husband as a political figure has. Despite the action, this is a very character-driven novel.
As Bujold says herself, the book is also about motherhood. It’s not only Cordelia learning to be a mother; other characters also learn the difficulties and the joys of having children. This was written after some of the Miles books, so I felt like it was appropriate here that I knew what Miles was going to become. Seeing the way his mother felt about him – as well as the evolution of Barrayar society – really shed light on the book I’d read already and the ones I have read since.
I keep talking about it, but I just loved the characters in this book, and in the series as whole. They just come to life, leaping out of the page, with all their flaws and problems and little quirks intact. It’s simply brilliant. I haven’t read a series so addicting in what feels like years – probably, in fact, is actually years. Read this; you truly won’t regret it.
All book links to external sites are affiliate links. I downloaded this book for free from the Baen Free Library.
 A fantasy classic, The Last Unicorn describes the decline of the unicorns and the struggle for the last one to find her comrades after leaving her forest home – only to discover that she is now horribly alone. Convinced that her fellow unicorns actually do still exist, she embroils herself in bad situation after bad situation, though not without non-unicorn friends, while looking for elusive companionship.
I was absolutely thrilled when I stumbled upon a copy of this book while I was in the US in July. I had intended to buy a copy online at some point, so the serendipity of it appearing before me in a physical bookstore was plenty to persuade me to buy it and read it shortly thereafter. Unfortunately, it then took me over a month (!) to review it, so I’m afraid some of the details have been lost. But I’ll try and capture some of the essence of this magical book.
Half of its appeal for me was simply the way it was written; it struck as immediately a bit old-fashioned, the kind of fairy tale my mother might have read growing up. That’s probably because she could have as the book was published during her childhood, in 1968. The unicorn is beautiful but slightly terrifying in its beauty, kind of reminding me of Galadriel in the Lord of the Rings. Fantasy is a thing of awe, not something we can weave into modern life so much like in today’s urban fantasy; it’s distinctly medievalesque with castles, magicians, and lovelorn princes. It feels like proper, epic fantasy, despite its very short length. And though the characters sound like stereotypes, Beagle makes sure they don’t stay that way, weaving in personalities and little traits that make us grow to care about them.
The story itself also has an old-fashioned feel about it. Rather than pure action, much of the story is determined by fate and the way things have to be, rather than pure decision-making on behalf of the characters. Sure, they make some decisions; the unicorn chooses to venture out once she’s heard that there are no more unicorns, and Schmendrick chooses to help her at some stage along the way.
But a lot of the book simply flows along, inviting the reader to linger in the beauty of it rather than causing suspense even though the storyline actually does have a few cliffhangers and tense moments. Much of this is due to the absolute loveliness of Beagle’s writing, the way he describes the magic as though it could be real, and his descriptions. He creates an entire world in the space of a few pages – a true feat.
A proper work of fantasy, that immerses you into a world that you can almost believe in, The Last Unicorn is a classic that deserves to be read more often.
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